The Animals and Friends series draws from the author’s extensive archive of animal imagery, processed over various periods. Through experimentation, the author develops a visual language that, despite varied approaches, remains consistent. This language translates into seemingly simple images presented in the series, which plays on the complexity of interpretation hinted at by its title. The author questions the boundaries of friendship and animality, suggesting a playful exploration of meaning. For instance, the author references the evolutionary theory that humans developed cognitively due to their bond with dogs, whose loyalty allowed humans to rest peacefully.
The series adapts to the exhibition space, mirroring how animals adjust to their environment. It blends visual and conceptual layers, positioning animals as central figures—present not only as motifs but through subtle, often hidden contexts. By manipulating imagery and meaning through creative techniques, the series leaves interpretation open to the viewer.
The series unites diverse creatures from the author’s saturated archive, presenting them as harmoniously coexisting, despite their inherent differences. It examines meaning, symbolism, and the imitation of animal nature while maintaining their essence within these playful reinterpretations.
